Selected Compact Discs Of The Goldberg Variations

J. S. Bach is arguably the very best composer of the Baroque age. Bach's ultimate outcomes throughout voice music are really his over 200 liturgical "cantatas" as well as his four musical settings of the Biblical Passions.

As a part of his obligations as "Kappelmeister", i.e. commander of church music, at the entire various Lutheran chapels where he has worked, J. S. Bach had been in charge with regard to practicing the actual choir, offering music for the purpose of every bit of the very religious services and also crafting a good new cantata virtually each week.

Mainly because Glenn Gould's incredible '55 release of Johann Sebastian Bach's Goldberg Variations, they haven't needed a great deal throughout the main way of introduction; they are really at present as familiar as any work inside the whole of the classical repertoire.

With regard to making them strange once again, it is certainly worth observing that, in fact, the main Goldberg Variations end up being neither "Goldberg" nor "Variations"; however, those are really accounts for the purpose of some other places.

Most of these memories may just be historically combined with technically helpful, still not likely as insightful, nor definitely important for listening the piece(s). The entire part about Goldberg is definitely inside truth quite random

Okonsar's approach associated with the full work gives the best pleasure.

The Belgian pianist from Istanbul, Okonsar's tempos are typically nearer to to those of Glenn Gould rather than to Jarrett. However there is actually a real subtle similitude within Okonsar and Jarrett's approaches, even though they happen to be executed on different instruments, Jarrett's on "clavicembalo" and the Belgian artist Mehmet Okonsar's on piano.

The particular analogy of each readings stick to conceptual sides. The Belgian artist Mehmet Okonsar along with Jarrett share an important non-exaggerated look at Johann Sebastian Bach. Neither artist is obssessed to the "historical-authenticity" view nor the particular "romantic" approach.

Mehmet Okonsar was born in Istanbul (Turkey) and resided in Paris in the course of his initial education. He started studying piano at the National Conservatory of Ankara, with Nimet Karatekin and Necil Kazim Akses.

Right after about a year and half studying at the Ankara Conservatory, the Okonsar family moved to Belgium where Mehmet joined the class of Jean-Claude Vanden Eynden at the Brussels Royal Conservatory of Music.

In the course of this period associated with chaos who was the seventies in Turkey, Okonsar connected on both friendly and professional basis with a pianist and conductor, ex-student of Pierre Sancan. Via this particular friendly relationship he figured out the basic principles of the keyboard concepts of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat.

His initial crucial recital happened in 1979. The program incorporated Preludes by Messiaen and the Pictures of an Exhibition by Mussorgsky.

The piano studies of Okonsar ended with the greatest honors any student can ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt pursued by "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, performing the Piano Concerto Op. 42 by Arnold Schoenberg.

Generally anticipating studying more, Okonsar pursued still at the Brussels Conservatory, on Composition and Orchestration classes and again he had the very best teachers out there: Madame Jacqueline Fontyn the primarily Belgian composer and also occasionally he likewise studied with a pupil of Messiaen, Claude Ballif.

Alexis Weissenberg, soon after listening to a recording by Okonsar invited him (on a scholarship or grant) to study in Switzerland.

Shortly after becoming a Belgian national, Mehmet Okonsar and his wife Lale, painter headed back to Turkey following an invitation from the President Suleyman Demirel who provided him the particular most sought-after title of "State Artist of the Turkish Republic".

"Truly I don't reside in Turkey but in the Internet" says Okonsar.

Operating widely on technical issues, as he remarks "the actual technology may just "totally free" the artist", his researches have been displayed in a lecture at the Yamaha home office in Hamamatsu, Japan.

His repertoire encompasses a selection from the early seventeenth century ("The Fitzwilliam Virginal Book") which includes composers, amongst others, Orlando Gibbons and Giles Farnaby and also reaches late 20.th century with all the works by Karlheinz Stockhausen and Witold Lutoslawski.

Well known works in this particular repertoire are: J.S. Bach "The Art of Fugue" executed on organ (or piano) and harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard.

The actual playing by The multi-faceted music artist Okonsar's of the theme, "Aria", is simply very close to that of Glenn Gould. Certainly, there is without a doubt a strong recognizable ease along with "naivete" that rarely conceals a good incredible neatness in addition to a fabulous perfectly managed feel. Those are unmistakable signals for a powerful incredible keyboard technique which may showcase rapidly through the main upcoming variations.

Pedaling happens to be nearly absent. However that can not necessarily make the main playing dried out by any ways. To the contrary, it shows a real competence of the entire keyboard technique in addition to demonstrates that the actual pedal is actually frequently used to cover up blemishes.

Just a real few performing artists can in fact play Johann Sebastian Bach to the piano and however get hold of the particular transparency in addition to sharpness generally associated along with the Harpsichord. Mehmet Okonsar is one of them. The particular so-called historical authenticity is undoubtedly not necessarily a dry out expression right here.

The Turkish born Belgian artist is actually a particular adept of the entire "Free Music" philosophy. Each of his recordings are typically shared by the most of the self-sufficient artist. This is certainly a fabulous brand new point of view which, according to the musician is going to be of big profit to both the artist, the main launch along with most of the classical music world.

Additionally the main number one video sharing site Youtube(r) contains a number of the multi-faceted music artist Okonsar's performances at the piano video recordings. Many times his CD productions are additionally uploaded as live videos into the artist's Youtube(r) channel: mokonsar.