Liszt And His Ways To The Modernity: "liszt-modern"

Liszt And His Ways To The Modernity: "liszt-modern"

By:


Just about the most revolutionary and inventive pianists and also composers of the 19th century, Franz Liszt was noted for taking exquisite masterpieces of music from literature. Quite a few criticized him with regard to his boldness however his works remain many of the most spectacular works in classical music at this time.

The tracks presented in the CD "Liszt-Modern" by Mehmet Okonsar are: "Fantasie und Fuge uber das Thema B-A-C-H"; "Variationen uber das Motiv von Bach ("Weinen, Klagen, Sorgen, Zagen")"; the two "Legendes"; "Les Jeux d'Eaux a la Villa d'Este", the famous Bagatelle Without Tonality and the two "Csardas" "Macabre" and "Obstine". Additionally, the artist Mehmet Okonsar offers in his official website the two "Threnodies" (from the third year of the "Annees de Pelerinages")

A exciting, provoking swiftness as well as preciseness characterizes the actual "Lisztian" octaves. Nonetheless, they don't seem to be dry out nor mechanical in Okonsar's playing.

In the Turkish born Belgian pianist's playing the great number of "showy" sets of octaves which in turn are commonly performed as upheavals of a machine-gun, develop into orchestral in sound. That is because of the reason that the multi-faceted music artist Okonsar requires any additional effort to perform them nearly "legato" and they sound just like the Violins One and Two of an orchestral ensemble.

Sets of chords additionally have a "legato" and also an orchestral sound. The multi-faceted music artist Okonsar produces that by way of carrying them to the extent that one can possibly do, compared with all kinds of other pianists who attack them and leave for the pedal to supply the sound. The particular affect of Weissenberg's playing is apparent there. Hands are just about "sliding" over the keyboard they do not elevate and hit.

The particular continuity in addition to the sense of coherence is unusual in The Belgian pianist from Istanbul, Okonsar's performances. The musical works completed carry form as well as occur being a very well elaborated history. This is undoubtedly the result of an accurate dedication to the composer's evidences in addition to it is really inherited through the good musicians and artists, the multi-faceted music artist Okonsar received the privilege of studying with. These people are typically Alexis Weissenberg, Jean Claude Vanden Eynden as well as to some extent Eduardo del Pueyo.

There is no such thing as a extraneous touch at the hands of the Turkish born Belgian pianist Mehmet Okonsar. Pretty much every transition is precisely plotted to arrive at the key inside a approach to activate the mechanics at the rear of it for the purpose of the wanted sound. Fingertips are relaxed and also they grow approximately at view. Mehmet Okonsar's hands and fingers do not mimic a playing "machine" you can pretty much witness the actual extension as well as the astonishing flexibility.

One most important factor for the particular success in addition to power connected with transmission with regard to any pianist, or even just about any musician at large, is simply the plethora of dynamic power. Just how perfectly it is really implemented is one more element, still with a narrow assortment that does definitely not matter not surprisingly. The dynamic array with regard to a pianist, means how far is actually the most sublime "pianissimo" from the smashing "fortissimo" constitutes a major point inside the communication power of the musician.

Everyone knows that a good singing voice is bound to have a lot of power without any ever pressuring it. Nearly every nuance happens the natural way virtually without effort. It's the same the case with regard to pianists. Every single and every nuance have got to come equally simply from a good pianist's fingers. This is exactly the case with Mehmet Okonsar.

Pedal is by no means used to disguise flaws. With Okonsar, pedaling might be oftentimes with the limits of the harmonic blur, nevertheless, this is certainly deliberate and it gets at once clear. For example: the prolonged recitatives or extremely special sound effects required by Franz Liszt (i.e. the 3rd. Hungarian Rhapsody the place that the left hand performs a melody in the extreme low register which is mentioned using a long pedal sustain) or inside the particularly popular passage of the "Tempest" Sonata (op.31 number:2) by Beethoven, in which a stretched sustained pedal is obviously advised by the composer to supply the passage its incomparable sound, are consistently performed. Even throughout parts without having pedal, the actual playing is never dry.

The playing of those two Legendes are really visionary. The actual "communicating with the birds", in the first one, is really my favorite. Mehmet Okonsar re-creates each of the detailed sonorities needed. The prophet's voice is really mellow and delicate while "birds" get in just about throughout a three dimensional sound space.

The particular atonal Bagatelle is undoubtedly competed for a weird waltz. This piece of significant great importance in the history of music, which in turn is definitely the first one to include "atonal" throughout the particular title is without question actually thought of as being the fifth Mephisto Waltz. The composer, conductor and musicologist as well as pianist Okonsar provides here every one of the actual diabolic accent associated with Mephisto.

The bonus tracks well worth a trip along at the artist's recognized Internet site. Generously offered there, the two "Threnodies" (Cypres de la Villa d'Este) with typically the number two paraphrasing the Tristan starting theme by Wagner are really terrific pieces. They are typically interpreted along with a deep feeling by the Belgian artist Mehmet Okonsar.

Mehmet Okonsar was born in Istanbul (Turkey) and resided in Paris in the course of his primary instruction. He started learning piano in the National Conservatory of Ankara, with Nimet Karatekin and Necil Kazim Akses.

Right after about a year and half learning at the Ankara Conservatory, the Okonsar family transferred to Belgium where Mehmet got into the course of Jean-Claude Vanden Eynden at the Brussels Royal Conservatory of Music.

In the course of this era connected with clash who had been the seventies in Turkey, Okonsar linked on both friendly as well as professional basis with a pianist and conductor, ex-student of Pierre Sancan. Via this particular camaraderie he mastered the fundamentals of the keyboard guidelines of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat.

His very first crucial recital occurred in 1979. The program integrated Preludes by Messiaen and also the Pictures of an Exhibition by Mussorgsky.

The piano studies of Okonsar ended with the top honors any student could ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt pursued by "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, performing the Piano Concerto Op. 42 by Arnold Schoenberg.

Often anticipating discovering a lot more, Okonsar went after that still at the Brussels Conservatory, on Composition and Orchestration classes and again he had the most beneficial educators out there: Madame Jacqueline Fontyn the main Belgian composer and also occasionally he also studied with a student of Messiaen, Claude Ballif.

Alexis Weissenberg, immediately after hearing a recording by Okonsar asked him (on a grant) to study in Switzerland.

Right after becoming a Belgian national, Mehmet Okonsar and his wife Lale, artist went back to Turkey following an invitation from the President Suleyman Demirel who provided him the actual most sought-after title of "State Artist of the Turkish Republic".

"Truly I don't reside in Turkey but in the Internet" says Okonsar.

He's got made an amazing presence on the Web, working numerous sites, weblogs and publishing organizations.
He is the actual producer of his personal records and books.

Mehmet Okonsar's worldwide career commenced with the help of the 1st prize at the International Young Virtuoses Competition of Antwerp in 1982. His orchestral debut was the 3rd Concerto by Rachmaninoff performed at the "de Singel" Concert Hall in Antwerp, Belgium. His other prizes are: Paris, 1989, "J. S. Bach" at the Salle Gaveau: 2nd prize; 1990, Rome, Association Chopin "Premio Etruria": 1st prize; and 1991, United States, Utah, the 6th prize at the "Gina Bachauer International Piano Competition".

He has recently been a visitor judge at the National Piano Competition of Japan in the auspices of the P.T.N.A. ("Piano Teachers National Association").

Functioning widely on technical things, as he remarks "the technology might just "totally free" the artist", his experiments have been introduced in a lecture at the Yamaha home office in Hamamatsu, Japan.

His repertoire includes a selection from the early seventeenth century ("The Fitzwilliam Virginal Book") for example composers, amongst others, Orlando Gibbons and Giles Farnaby and extends to late 20.th century with all the works by Karlheinz Stockhausen as well as Witold Lutoslawski.

Distinctive works with this repertoire are: J.S. Bach "The Art of Fugue" executed on organ (or piano) as well as harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard.

The Belgian artist Mehmet Okonsar is actually one adept of the particular "Free Music" ideological background. All his audio recordings are really shared by the particular self-sufficient musician and performer. This is undoubtedly a good unique disposition that, according to the musician and performer will probably be of huge returns to both the very artist, the main release as well as the main classical music field.

Likewise the particular ultimate video sharing site Youtube(r) provides a several the multi-faceted music artist Okonsar's playing online videos. Routinely his Compact disc releases are on the other hand submitted as live performance video clips into the artist's Youtube(r) channel: mokonsar.

About the Author:
I write sometimes about music. My preferred music blog is inventor-musicae founded by Mehmet Okonsar and i am also a fan of Mehmet Okonsar's Youtube(r) channel: mokonsar



Article Originally Published On: http://www.articlesnatch.com


Tags: , , , , , , , , ,

|

Loading...
Related....
Videos...

Recent UnCategorized Articles

Comments

Still can't find what you are looking for? Search for it!

Loading

Site Navigation:

Copyright 2005-2011 ArticleSnatch, LLC - All Rights Reserved.
Privacy Policy | Terms of Service.