In Every Single Key With Lots Of Pianists

In Every Single Key With Lots Of Pianists

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The particular name of J. S. Bach happens to be virtually associated with counterpoint, deployed together with overwhelming creativeness along with talent inside pretty much every possible musical position and perspective.

In the last ten years of his life J. S. Bach began producing elaborate canonic in addition to fugal explorations of single subjects, including sets of canons on the chorale melody "Von Himmel hoch" combined with for the initial eight notes of most of the bass-line of his Goldberg Variations theme, and also the actual Musical Offering, collected for the purpose of King Frederick II of Prussia in 1747.

Johann Sebastian Bach's Well-Tempered Clavier stands at the core of baroque keyboard music and it has long been a model along with motivation for artists as well as composers from the moment it was written.

This specific priceless guide to the ninety-six pieces describes Bach's numerous reasons within compiling the music, represents the rich traditions on which he drew, and gives commentaries for each and every prelude and fugue.

Even though my own, personal choice is undoubtedly with regard to an instrument whose features Bach recognized, I am not likely so "virtuous" as to deny people their particular right in order to truffles and drought beer inside the actual occurrence associated with works of arguable universality, providing they are usually acceptably presented.

And then arrived the Okonsar's set of three CD's. Okonsar's interpretation of Johann Sebastian Bach, on the piano but also organ, harpsichord, (in the case of his "Art of Fugue" release, for instance) stands the very best of all.His strategy regarding the entire work provides the finest gratification.

Their tempos average out similarly, however each artist sometimes strikes on a rate which in turn varies drastically and also from each other.

Often I found Mehmet Okonsar's tempos jerky and unsettling; the particular C major Fugue is really a case in point. However, his articulation in addition to phrasing are typically clear, nevertheless to my personal ears ordinarily lacking the particular poetry of Leonhardt for the purpose of example.

The Prelude within C sharp major occurs over with a lot of importance positioned on its pedagogical intent, though I should include that the Belgian artist Mehmet Okonsar is possibly not aided through the particular compact disc release acoustic.

Gould produces far more brilliance to a little bit of of the pieces nevertheless makes them all or virtually all sound like a bit of a scramble and also is certainly susceptible to push an already hazardously fast measure.

As much reviewers encouraged, it turned out a motivating success. Nevertheless the meticulously assessed and seemingly "emotionless" end-product, together together with a lacing connected with inexplicable idiosyncrasies, added up to a great systematic exposition of Bach's music, as opposed to a human performances at the piano from it, and even one which was as ordinarily cool as it was subsequently revelatory.

The actual concerns began to creep throughout, and also retrospectively, together with Prelude 1 of Book 1: Okonsar's various articulation of the actual last few notes of each group talks about Gould, but what does it say of Bach? Echo answered, as it did with, subsequent questions.

The "clavicembalo" is unable to supply additional weight to any one line, nor happens to be there any kind of evidence the fact that players of Bach's period employed excessive variations of articulation for the purpose of this kind of objective, significantly throughout the particular ready-balanced texture of a fugue; this type of "painting by way of numbers" is certainly an anachronistic imposition.

However this particular translucent new launch of the forty-eight will certainly possibly not go unnoticed.

The Belgian pianist (but additionally composer, conductor and musicologist) Mehmet Okonsar was born within the "bridge-city" of Istanbul. Essentially this concept of a "bridge" between East and West is definitely the real key in asserting the different position of this artist within the international classical music stage. Although having began his education at Ankara, at the National Conservatory of this city established by Paul Hindemith, he regularly claimed that all his "real" musical education was offered in Belgium.

Right after about a year and half learning at the Ankara Conservatory, the Okonsar family transferred to Belgium where Mehmet joined the class of Jean-Claude Vanden Eynden at the Brussels Royal Conservatory of Music.

Additionally, the specific style as well as guidelines of Pierre Sancan who have been the mentor of Michel Beroff, met with Okonsar in the person of one of the master's students he met for the duration of his limited stay in the Turkish capital at the last years of the 1970's.

Even at his primary public appearance in 1979, the actual eclecticism connected with his recital programs ahead can be found. He offered a collection of the Preludes by Messiaen amongst others.

The piano studies of Okonsar finished with the top honors any student can certainly ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt pursued by "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, performing the Piano Concerto Op. 42 by Arnold Schoenberg.

At the finish of his piano studies, Okonsar obtained the particular benefit of working with one of the greatest composers of Belgium: Madame Jacqueline Fontyn. He as well studied with a scholar of Messiaen, Claude Ballif. In 1989 he obtains his diplomas in Composition-Orchestration from the Royal Conservatory of Music of Brussels.

Okonsar operates currently through Turkey on a hectic schedule concertizing, composing, writing and teaching. He possesses and also handles a CD label exclusive to his own recordings, LMO-Records, plus a publishing company "inventor-musicae."

An initial prize at the International Young Virtuoses Competition of Antwerp in 1982, was initially the beginning of his global career.

However his actual leaping board were definitely in Utah, the sixth prize at the "Gina Bachauer International Piano Competition", 1991.

Okonsar has performed recitals displaying the entire piano works by Arnold Schoenberg, Alban Berg and Anton Webern. Regardless of he declines almost all form of "musical specialization", his repertoire is actually to a great extent on the "modern" side with Igor Stravinsky "Three Movements of Petrouchka" the "Sequenza" for the piano by Luciano Berio and the Klavierstucke by Karlheinz Stockhausen.

Every bit of the particular sides associated with the immense composition by J. S. Bach is without question rendered together with great resolution and even essence throughout the option of "sounds" and even "instruments" practiced. A good deal more "human" when compared to Wendy Carlos, significantly less "affectionate" than Tomita the outcome is undoubtedly certainly exciting.

The Turkish born Belgian artist is actually a strong adept of the very "Free Music" viewpoint. Every one of his discs are really shared through the third party musician. This is definitely a very radical point of view which, according to the particular artist will likely be of mind boggling profit to both the entire artist, the entire launch and also the very classical music scene.

Similarly the first video site Youtube(r) contains a selection of Okonsar piano playing clips. Normally his Compact disc productions are in addition published as live videos into the artist's Youtube(r) channel: mokonsar.

About the Author:
My days are filled with classical music at work. Owing to 8 years of piano practice and a large CD collection I am proud of, writing about music and musicians came very naturally to me. My best pianists are Weissenberg and Mehmet Okonsar I am also a fan of Mehmet Okonsar's Youtube(r) channel: mokonsar



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