Doo Wop - Rhythm And Blues Vocalized Into Gorgeous Melodies

Doo-Wop is a related R&B form based on vocals using phonetic syllables in order to introduce rhythm and harmonic movements. It was introduced in the 1950's in the streets of New York, Philadelphia, and Baltimore. It saw its beginning in the African American communities which also enjoyed rhythm and blues and became wildly popular in the mid 1950's to the early 1960's.

Often times acknowledged with street corner vocalists who saw in Doo-wop the perfect media to express their individual talents. Formed into groups of 4 or 5 teenagers, each had a role and singing talent to bring in to the group and as such they brought a carefree approach to the genre.

This carefree attitude made them ideal victims to unscrupulous agents and record companies' contacts. Indeed label owners had no difficulty in convincing them that his his own name should be listed as the music composer rather than the musicians themselves as "his own name was already known" but deejays.

In addition, these inexperienced youngsters were lead to believe that they would be paid by session, rather than by number of records sold. They were made to sign contracts that permitted studio and promotional costs to be paid directly from the artist's own royalties.

And just as this wasn't enough, original rights to the songs had to be passed on to the record companies who also insisted that the musician perform for free on major promotional shows. Finally, agents took a 50 pc cut from all of the musicians' income.

The irony in the above unsavory practices is that they were often times initiated by smaller record companies. These companies and the groups they badly represented might have survived if the musicians had not bee so cheated of mechanical and performance rights!

Famous doo wop music groups include

The Dubs, who with lead vocalist Richard Blandon released "could this be magic". Although it was not a huge hit back in 1957 when it was first released, it nevertheless has endured as one of doo wop classics.

1962 saw the re-release of "you belong to me" by the Duprees, a most gifted Italian Doo Wop music group. "you belong to me" had previously been recorded by Patty Page, Jo Stafford, Dean Martin and Joni James.

Vito Picone and The Elegants achieved notoriety when in 1958, this white doo wop group released the chart topper "Little Star" They were a white group based in New York.

The Five Satins, best known for "In the Still of the Night" who was a true classic and the only hit of this magnitude by the Five Satins. The group was led by Fred Parris in 1954 and he wrote their biggest hits "In the Still of the Night" in the basement of a local church. By the time the song scaled the charts, Parris had been drafted into the army.

Doo Wop music has held and continues to hold a special place in the hearts of music lovers everywhere. Known in some circles as the "Music of the Streets" its popularity diminished with the introduction of British early rock otherwise known as the British Invasion in the mid 1960's.

To this day Doo wop music is still a favorite for a large and international audience. Music lovers from as far as Japan, Germany, France and many more countries contribute in maintaining its popularity. Concerts and shows are held on a regular basis and continue to charm and enthrall their audience.