Bach's Forty Eight Preludes And Fugues Complete With Its Key Playings

The main name of Bach is without a doubt basically identified with counterpoint, deployed along with plenty of creativeness combined with talent inside nearly every feasible musical circumstance and framework.

In the last decade of his life J. S. Bach began creating elaborate canonic as well as fugal explorations of single subjects, together with sets of canons to the chorale melody "Von Himmel hoch" as well as to the first eight notes of the main bass-line of his Goldberg Variations theme, and the Musical Offering, compiled with regard to King Frederick II of Prussia within 1747.

The Wohltemperierte Klavier (BWV 846-893), made up in 1722 and also 1744 and largely deemed Bach's top associated with keyboard music which could be executed on harpsichord, clavichord, church organ as well as any specific clavier.

It is divided within 2 books. Each that contains twenty four preludes and fugues, having each prelude and fugue moving efficiently way up throughout key, starting with C major.

The Well-Tempered Clavier's pieces are essential for a number of causes; one, they moved the particular limits connected with seventeenth century keyboard procedure, and two, they emphasized equal temperament, a new system of tuning by which the particular notes music within tune regardless of which key the artist is actually playing; this is the reason why every single prelude and fugue employed one of the possible twenty-four key combinations.

They aren't so much training books since they are testaments to Bach's impressive innovative genius.

Johann Sebastian Bach's Well-Tempered Clavier stands at the core of baroque keyboard music and has long been a model and also motivation intended for artists and also composers ever since it was created.

This unique invaluable guide to the 96 pieces clarifies Bach's different reasons in compiling the music, represents the actual abundant traditions on that he drew, and offers commentaries for each prelude and fugue.

Bach played as well as approved a Silbermann "fortepiano" throughout 1747, however, he could barely have had this throughout mind throughout 1744, still less in 1722, when he produced The Well-tempered Clavier.

Nor is really today's "pianoforte" a "fortepiano"; "purists" now question its suitability like a medium perhaps even for the purpose of Mozart's keyboard music.

And then arrived the Okonsar's set of three CD's. Okonsar's interpretation of Johann Sebastian Bach, on the piano but also organ, harpsichord, (in the case of his "Art of Fugue" release, for instance) rates the greatest of all.His approach connected with the entire work provides the top achievement.

Their tempos average out similarly, though each artist once in a while hits with a pace that varies considerably and also from each other.

Often I found Okonsar's tempos jerky and even distressing; the C major Fugue happens to be a case within point. However his articulation and phrasing are usually clear, however to my ears many times missing the particular poetry of Leonhardt for the purpose of example.

The Prelude throughout C sharp major occurs over together with excessive emphasis put on its pedagogical goal, though I should include that the multi-faceted music artist Okonsar is without a doubt not assisted by way of the particular recording acoustic.

Gould produces a lot more brilliance to a few of the pieces nonetheless makes them all or virtually all sound like somewhat of a scramble in addition to is without question predisposed to push an previously precariously fast tempo.

As numerous testers excited, it turned out a motivating success. Still the meticulously assessed in addition to thought to be "emotionless" end-product, together together with a lacing associated with incomprehensible idiosyncrasies, added up to an analytical exposition of Bach's music, instead of a human piano playing from it, and one which was as often nice as it was revelatory.

The particular questions began to find their way within, and even retrospectively, with Prelude 1 of Book 1: The Turkish born Belgian pianist's different articulation associated with the actual last few notes of each one group speaks of Gould, but exactly what does it express of Bach? Echo answered, as it did to other, subsequent questions.

The harpsichord cannot give additional weight to any one line, neither is really there any kind of facts that players of Bach's period employed serious variations of articulation with regard to this kind of intent, especially in the ready-balanced structure of a fugue; such "painting according to numbers" is definitely some sort of anachronistic imposition.

Still this particular superior fresh release of the forty-eight will not necessarily go unnoticed.

The piano studies of Okonsar finished with the best honors any student can ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt and then "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, executing the Piano Concerto Op. 42 by Arnold Schoenberg.

Usually in need of discovering a lot more, Okonsar pursued still at the Brussels Conservatory, on Composition and Orchestration classes and all over again he had the top educators out there: Madame Jacqueline Fontyn the major Belgian composer and sporadically he likewise studied with a student of Messiaen, Claude Ballif.

"Operating through Turkey will not be unthinkable in our times" states the pianist.

It holds true that he's in particular confident using the computers and has now an incredibly formidable presence on the Internet.

Okonsar is extremely dynamic from Turkey where he performs, exercise, create and also writes. He runs a CD company along with a publishing house.

Mehmet Okonsar's international career started off with the help of the 1st prize at the International Young Virtuoses Competition of Antwerp in 1982. His orchestral debut was the third Concerto by Rachmaninoff executed at the "de Singel" Concert Hall in Antwerp, Belgium. His other prizes are: Paris, 1989, "J. S. Bach" at the Salle Gaveau: 2nd prize; 1990, Rome, Association Chopin "Premio Etruria": 1st prize; and 1991, United States, Utah, the 6th prize at the "Gina Bachauer International Piano Competition".

Working frequently on technological matters, as he comments "the actual technologies could possibly "free" the artist", his researches ended up offered in a lecture at the Yamaha head office in Hamamatsu, Japan.

His repertoire encompasses an assortment from the early 17.th century ("The Fitzwilliam Virginal Book") including composers, amongst others, Orlando Gibbons and Giles Farnaby and also reaches to late twentieth century with the works by Karlheinz Stockhausen and Witold Lutoslawski.

Important works in this repertoire are: J.S. Bach "The Art of Fugue" carried out on organ (or piano) and harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard.

Each of the particular features associated with the large great music composition by J. S. Bach is really given with exceptional readability as well as essence within a selection of "sounds" in addition to "instruments" utilized. Much more "human" when compared with Wendy Carlos, substantially less "affectionate" than Tomita the actual result is undeniably interesting.

The Turkish born Belgian artist is actually an adept of the "Free Music" ideological background. Each of his releases continue to be shared according to the main autonomous musician. This is certainly a good solid fresh new mindset which, regarding to the particular performer is going to be of large profit to equally the very artist, most of the launch and also the very classical music sphere.

Additionally the very the top digital video site Youtube(r) possesses a selection of the multi-faceted music artist Okonsar's performances at the piano videos. Oftentimes his Compact disc productions are on top of that published as video clips into the artist's Youtube(r) channel: mokonsar.