A Cd Of Notes: Solo Piano Improvisations From Okonsar

Instant music making (i.e. music improvisation) (also known as "Musical Extemporization") happens to be the actual imaginative task of on the spot ("on the particular moment") musical creation, that combines performance along with communicating of feelings and also performance method and impulsive reaction to other musicians.

Consequently, musical thoughts in instant music are spontaneous, although might be primarily based on harmony changes inside classical music.

Because improvisation is undoubtedly a complete music playing act and also will depend on instrumental technique, instant music is without a doubt an art form. Generally there are typically performers who may have under no circumstances improvised as well as several other musicians who definitely have committed all of their existence to instant music making.

The tracks, in accordance with the composer, were initially named at a later date. The Belgian artist Mehmet Okonsar executed them all without having any variety of preparing, the musician and performer claims that basically no pre-conceived harmony or chord sheets appeared to be made and also the fact that he only "sat on the piano and played out". On the other hand Mehmet Okonsar additionally brings the fact that he retained for the purpose of the final launch solely roughly one 10th of the takes.

The tracks of the CD are: "He has snatched away the thunderbolt from heaven and the scepter from the sovereign"; "Briefly thyself remember" (Lear); "Every hero becomes a bore at last" (Emerson); "What stronger breastplate than a heart untainted" (Henry VI); "A change came o'er the spirit of my dream" (Byron); "Such stuff as dreams are made of" (Tempest); "A merry heart goes all the day" (A winter's Tale); "Angel visits few and far between" (Campbell); "The gods too are fond of a joke" (Aristotle); "Flowers preach to us if we will hear" (Rossetti); "Illusion is the first of all pleasures" (Wilde); "I give him joy that's awkward at a lie" (Young); "Beauty born of murmuring sound" (Wordsworth) and "As Morning Light Breaks" (Bob Dylan).

Track one, "He has snatched away the thunderbolt from heaven and the scepter from the sovereign", gets under way lushly as well as is really similar to the design of Lyle Mays throughout his album "Solo". Nonetheless the particular complexities associated with the harmonies are definitely inside strains along with Alban Berg, Alexander Scriabin; often Polish composers, particularly Karol Szymanowski comes directly into your mind.

Valor is certainly the particular motif of the track number 4: "What stronger breastplate than a heart untainted" (Henry VI). It is in fact realized on the piano with slightly a heavy and also massive "ecriture". Someone can have the clashing armors and even the actual unique rudeness of the actual format.

Wordsworth is simply present too together with "Beauty born of murmuring sound" on track 13. Right here Mehmet Okonsar grabs virtually all the subtleties that belong to the poet and also convert to his instrument the advantageous subtleties of the title, which in turn was basically, as I described before set-up after the actual music has been taped.

The continuity in addition to the feeling of coherence is simply unusual throughout Mehmet Okonsar's performances. The musical works carried out carry design in addition to occur as being a nicely elaborated history. This is actually caused by real faithfulness on the composer's clues as well as it is simply learned on the great artists, The Belgian artist Mehmet Okonsar obtained the opportunity of studying with. They are Alexis Weissenberg, Jean Claude Vanden Eynden in addition to to some extent Eduardo del Pueyo.

There's really no unwanted motion at the hands of The multi-faceted music artist Okonsar. Every action is precisely targeted to reach the key within a option to trigger the mechanics driving it with regard to the specified sound. Fingertips are tranquil and even they grow pretty much at glance. The Turkish born Belgian pianist's fingers really do not imitate a playing "piece of equipment" you can pretty much observe the actual extension and also the astonishing flexibility.

The dynamic vary with regard to a pianist, how far is in fact the most elegant pianissimo from the splitting fortissimo is really a major point within the transmission power associated with the composer.

Mehmet Okonsar was born in Istanbul (Turkey) and resided in Paris in the course of his initial instruction. He started learning piano at the National Conservatory of Ankara, with Nimet Karatekin and Necil Kazim Akses.

Franz Liszt with regard to Mehmet Okonsar is certainly not a teenager desire for pianistic exuberance and keyboard "pyro-technie". The training Okonsar obtained at the Brussels Royal Conservatory, through Jean-Claude Vanden Eynden, who himself acquired through Eduardo del Pueyo is truly a direct heir from the Hungarian master. That derives from the hard work of Marie Jaell, a learner of Franz Liszt on that virtually all the technique of Eduardo del Pueyo is undoubtedly formulated.

In the course of this era connected with discord who had been the 1970's in Turkey, Okonsar linked on both friendly as well as professional basis with a pianist and conductor, ex-student of Pierre Sancan. Coming from this specific companionship he mastered basic fundamentals of the keyboard concepts of Pierre Sancan who was the teacher of pianists like Michel Beroff and the student of Yves Nat.

His very first crucial recital occurred in 1979. The program integrated Preludes by Messiaen and also the Pictures of an Exhibition by Mussorgsky.

The piano studies of Okonsar ended with the top honors any student can certainly ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt as well as "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, executing the Piano Concerto Op. 42 by Arnold Schoenberg.

At the finish of his piano studies, Okonsar received the particular advantage of working with one of the primary composers of Belgium: Madame Jacqueline Fontyn. He also studied with a student of Messiaen, Claude Ballif. In 1989 he receives his certifications in Composition-Orchestration from the Royal Conservatory of Music of Brussels.

One afternoon telephone rang and a lady dialing from Switzerland inquired him. Alexis Weissenberg, a pianist Okonsar venerated along with pretty much worshiped, wanted him to study with in Switzerland. Cash seemed to be short though the master supplied Okonsar a whole scholarship or grant. One can witness in all performances by Okonsar how deeply Weissenberg had an effect on him.

Soon there after to become a Belgian national, Mehmet Okonsar and his wife Lale, painter headed back to Turkey following an invitation by the President Suleyman Demirel who provided him the particular most sought-after title of "State Artist of the Turkish Republic".

Okonsar works currently from Turkey on a tight agenda concertizing, composing, writing and teaching. He possesses and also manages a CD label exclusive to his own recordings, LMO-Records, along with a publishing firm "inventor-musicae."

A first prize at the International Young Virtuoses Competition of Antwerp in 1982, appeared to be the start of his intercontinental career.

Constantly programming essentially the most tough pieces, Okonsar's orchestral debut had been the Third Concerto by Rachmaninoff performed at the de Singel Concert Hall in Antwerp.

Having said that his actual jumping board were definitely in Utah, the sixth prize at the "Gina Bachauer International Piano Competition", 1991.

The "Academie des Arts Contemporains" of Enghien, Belgium rewarded him in 1991, for his acoustic and electronic compositions with the Gold as well as Bronze medals respectively.

His known concerts incorporated the premiere in Turkey of the Concerto for piano by Schoenberg and his awesome performances of the Concerto for piano by Lutoslawski in Poland.

Operating widely on technological things, as he claims "the actual technologies could possibly "free" the artist", his experiments were being offered in a lecture at the Yamaha home office in Hamamatsu, Japan.

His repertoire encompasses a selection from the early 17.th century ("The Fitzwilliam Virginal Book") for example composers, among others, Orlando Gibbons and Giles Farnaby and also reaches to late twentieth century with the works by Karlheinz Stockhausen as well as Witold Lutoslawski.

Dominant works within this repertoire are: J.S. Bach "The Art of Fugue" executed on organ (or piano) and harpsichord; the Goldberg Variations, the integrale of Well-tempered Keyboard.

The Turkish born Belgian artist is certainly a particular adept of the actual "Free Music" doctrine. All his mp3s are typically shared according to the very individual composer. This is definitely a good solid clean mindset that, regarding to the particular musician will be of large returns to both the actual artist, the actual release as well as the particular classical music community.

Moreover the entire number one digital video site Youtube(r) provides a variety the pianist and composer Okonsar's playing video recordings. Usually his Compact disc publications are in addition published as videos into the artist's Youtube(r) channel: mokonsar.