"switched On" Musikalisches Opfer, Musical Offering Bwv 1079

J. S. Bach is frequently regarded as the very best composers of virtually all times.

He provided his own individual period, along with every generation subsequently, with abundant power to survey combined with collect the very fundamental composing models, structures, in addition to national cultures.

Himself a fabulous Lutheran believer, he left a collection of religious music to cover the total liturgical twelve months, including Latin Masses crafted for the purpose of the particular Catholic Court of Dresden. He expended very much of his working life as a real church music director in Germany.

Although J. S. Bach had been a highly honored organist throughout his life time, he was not regarded as an important amazing composer until finally the early 19th century. These days he happens to be deemed the single most powerful composer ever.

Bach's utilization of counterpoint was basically brilliant as well as impressive, in addition to the great intricacies associated with his compositional style which often involved religious in addition to numerological icons the fact that seem to match absolutely with each other inside a outstanding puzzle of exclusive codes, still amaze music players these days. Many consider him the highest composer of all time.

It had been in Leipzig the fact that he created the bulk of his non secular in addition to secular cantatas.

The Musical Offering ("Musikalisches Opfer" or "Das Musikalische Opfer"), BWV 1079, is actually a set of canons in addition to fugues as well as other pieces of music basically by Johann Sebastian Bach, virtually all based mostly on the sole musical theme provided to him by way of Frederick II of Prussia (Frederick the Great), to whom they are typically dedicated.

Musical Offering is bound to have its roots in a meeting between Bach and Frederick II on May 7, 1747. The particular meeting, happening at the King's property throughout Potsdam, took place for the reason that Bach's son Carl Philipp Emanuel has been hired there as court music performer.

Frederick thought to show J.S. Bach a novelty, the piano, one of the firsts ever made, which had been manufactured a lot of years previously. The King possessed some of the experimental instruments currently being designed basically by Gottfried Silbermann.

Throughout his expected visit to Frederick's palace within Potsdam, Bach, who appeared to be well identified with regard to his particular proficiency at improvising, obtained from Frederick a lengthy and sophisticated musical theme on which in turn to improvise a three-voice fugue. He accomplished it, but Frederick subsequently pushed him to improvise a six-voice fugue on exactly the same theme.

The public present contemplated that only a vicious caprice through the particular King, who was intent over humiliating philosophers and also music performers.

Bach replied that he would certainly ought to work the actual score in addition to send it towards the King later on. He then came to Leipzig to write the "Thema Regium" (i.e. theme of the king).

Two months following the meeting, Bach published a set of pieces based on this particular theme which all of us now recognize as "The Musical Offering" BWV 1079.

Bach inscribed the piece "Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta" (the theme specified from the king, along with add ons, resolved within the canonic style), the first letters of which spell out the word "Ricercar", a well-known genre of the time.

The particular "Thema Regium" sounds like the particular theme with regard to the 1st as well as last movements of the 7th Sonata throughout D Minor from Friedrich Wilhelm Rust, published inside 1788, in addition to also as the theme with regard to complex variations according to Giovanni Paisiello inside his "Les Adieux de la Grande Duchesse des Russies," composed throughout 1784, over his departure from the court of Catherine the Great.

Mehmet Okonsar released an entire version of the BWV 1079 realized on electronic instruments.

The piano studies of Okonsar terminated with the best honors any student can certainly ever get at the Royal Conservatory of Brussels. "Premier Prix avec Distinction", performing the "Dante Sonata" by Liszt and then "Diplome Superieur de Piano Avec la plus Grande Distinction, Premier Nomme", in 1986, performing the Piano Concerto Op. 42 by Arnold Schoenberg.

Often eager for mastering more, Okonsar went after that still at the Brussels Conservatory, on Composition and Orchestration classes and once more he had the most beneficial professors obtainable: Madame Jacqueline Fontyn the foremost Belgian composer and also sporadically he likewise studied with a student of Messiaen, Claude Ballif.

"Doing work from Turkey just isn't extremely hard within our times" says the pianist.

It is valid that he's specially at ease while using computers and has now an incredibly formidable appearance on the Internet.

Okonsar is quite effective from Turkey where he performs, practice, create and also writes. He operates a CD company along with a publishing house.

An initial prize at the International Young Virtuoses Competition of Antwerp in 1982, had been the beginning of his worldwide career.

Having said that his authentic jumping board were definitely in Utah, the 6th prize at the "Gina Bachauer International Piano Competition", 1991.

His experimental activities would not get unnoticed either, the "Academie des Arts Contemporains" of Enghien, Belgium offered him with both Gold and Bronze medals for his acoustic as well as electro-acoustic compositions.

Functioning thoroughly on technical matters, as he remarks "the actual technology might just "totally free" the artist", his studies were shown in a lecture at the Yamaha headquarters in Hamamatsu, Japan.

All the particular facets that belong to the large opus by J. S. Bach is in fact performed along with exceptional understanding and also essence within picking out "sounds" and even "instruments" being used. A whole lot more "human" as compared with Wendy Carlos, less "exotic" than Tomita the end result is undoubtedly really fascinating.

Two detailed imaginative possibilities applied according to Okonsar well worth observing. First he proceeded to implement sampled traditional instruments (i.e. viols "da gamba") with regard to the Sonate in Trio. The actual sound produced through those viols and the block flute is undoubtedly amazing. Second he intentionally opted to allow the "endless" canon an authentic endless aspect by not ceasing the particular music but instead fading out its end.

Most of the other earlier essential releases of the work often seemed unsatisfying in my experience. Generally the orchestrations are usually "too huge" ordinarily pompous. Quite possibly Mehmet Okonsar created the most effective present day choice in regards to the instrumentation (which is not specified in the actual score). The Belgian artist once claimed the fact that in the event that Bach lived currently he might have used electronic instruments due to the fact he seems to have been constantly curious together with the fresh sound sources connected with his point in time.

The Belgian artist Mehmet Okonsar is without question a particular adept of the entire "Free Music" viewpoint. Virtually all his CD releases end up being shared according to the very independent artist. This is without a doubt a real unique viewpoint which in turn, regarding to the particular composer will probably be of big profit to both the very artist, the entire release as well as the main classical music domain.

In the same manner the main number one video site Youtube(r) has a wide variety of the Belgian artist Mehmet Okonsar's playing video recordings. Usually his Disc releases are all at once published as videos into the artist's Youtube(r) channel: mokonsar.